This article analyzes the novels of Joseonjigwang, which served as the organ of the Korean Communist Party, based on Lim Hwa's surplus and Jacques Lacan's formulation of gender difference. In all, 145 prose texts were examined for their depiction of the relationship between working-class men and women. These works often share a logic of masculine desire that establishes a symbolic order and excludes others. It usually consists of a narrative in which men on the brink of emasculation become awakened proletarians and enjoy women. At the same time, the feminine desire to introduce absence and space into the symbolic system is also found lurking throughout the work as an unwritten sentence. With this in mind, This article sought to find a new way to read Joseonjigwang's novel as a possibility for a radical politics triggered by surplus and feminine desire.